The thoughtful ballad "Save a Prayer" emerged in their Birmingham rehearsal space, after Rhodes tinkered with new gear and Andy Taylor was inspired to come up with guitar accompaniment. That song was issued as a single before the end of the year in a drastically different, brisker form highlighted by disco-influenced strings. Duran Duran had also been playing "My Own Way" live since the demo session. The meditative "Last Chance on the Stairway" made the cut for Duran Duran's live set in late 1981, introduced by Le Bon as "trying to get ahold of a girl at a party" in one BBC performance. "It was a deep cut for a band that was really considered as a teen band." "It was a serious piece of work, wasn't it?" drummer Roger Taylor said of the song in a 2017 interview. 28, 1981, Duran Duran cut demos of three Rio songs at EMI's Manchester Square studios in London: "My Own Way," "New Religion" and "Last Chance on the Stairway." These demos hinted at a darker direction, especially "New Religion." That song boasted hollowed-out synths, a vivacious bass and scorching guitar parts, as well as some of Le Bon's most cryptic lyrics. (Mostly: The title track evolved out of a song that had been kicking around Duran Duran's repertoire across different lineups and years.) On Aug. The band settled on the album's name long before the music came together, inspired by the globe-trotting they did in the wake of their debut album. Watch Duran Duran's 'Hungry Like the Wolf' Video "Lonely in Your Nightmare" especially stood out: Melancholy and probing, the song has an empathetic protagonist who sees the potential in someone else ( "Because you're lonely in your nightmare let me in / Because there's heat beneath your winter let me in") and gently requests a connection. In a nod to these groups, the LP's lyrics explored several major themes - chasing your dreams, pursuing a crush, finding your place in the world, providing solace to a friend - in ways that were mysterious, dark and poetic. Singer Simon Le Bon, meanwhile, admired Joy Division and the Doors' Jim Morrison. Nick Rhodes' atmosphere-heavy synth wizardry provided artsy textures, while Andy Taylor's blazing guitar acrobatics added ferocity and heft. John Taylor and Roger Taylor were a formidable rhythm section, locked into grooves with nimble precision. Rio combined elements of post-punk darkness, experimental synth-pop, moody gothic rock, crisp disco and crunchy glam. In fact, save for maybe the title track and "Hungry Like the Wolf," the LP wasn't an obviously pop-oriented record.
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